Page 31 - 2022_Magazine_89-2
P. 31

Classroom Practice/Program



        Handicrafts: Lessons in Sustainability

        and Knowledge for Life





                                                          By Malin Ambjörnsson and Marianne Skardéus


        The authors discuss the importance of ongoing instruction in handicrafts as a
        way to support individuals’ creativity and help them adopt practices that increase
        awareness of our impact on the planet.


        After teaching handicrafts to pupils ages 9–13 at a compulsory school for the intellectually challenged
        in Skövde, Sweden, Malin Ambjörnsson was still filled with fervor for handicrafts. Leaving her position
        at the school and starting an enterprise called Mud Valley Design Craftroom, she sought to convey the
        same message as she had offered at school—but now to adults. She wanted to support learners through
        courses but also create a meeting point to inspire people to create and design. Malin is familiar with
        many techniques, such as weaving, spinning, tangling, printing, knitting, needlework, and lace making.
        All these techniques have been used in her teaching. But ultimately, the Mud Valley enterprise stands for
        creativity, textiles, entrepreneurship, and environmental consideration.
            Malin long ago left behind the old-fashioned way of
        teaching craft in which all students were working on the same
        item at the same time, such as sewing an apron or crocheting
        a potholder. Today, the process in creating objects is the main
        point: getting an idea, planning, doing, redoing, and, finally,
        reflecting on the finished object. In this process comes learning
        about materials, techniques, colors, and shapes and how they
        can be used together to create something beautiful and useful.
            Malin´s approach to handicrafts is much broader than
        working in different materials and different techniques. It
        is a question of conveying a message for sustainability
        and knowledge for life. Malin points out that the finalized
        product is not always the most important part of the learning.
        Rather, it is the journey—the process—that is important.
        Handicrafts is a subject where students are trained in many
        skills—social skills, cerebral skills, creative skills, and design
        skills. For example, youth today live in a culture of haste and
        speediness; thus, practicing patience might be of value for
        life. Similarly, learning to take care to achieve a product to
        one’s own satisfaction will also be a meaningful life learning.
        Furthermore, handicrafts are not just manual activities but are   Vintange Belle - April Tallant, NC; Spring
        deeply connected to social and natural subjects. If one is not   2022 DKG Fine Arts Gallery
        content with the colors of the object he or she is creating, for
        example, it is possible to dye it using knowledge from other
        subjects such as natural sciences.







                                                                                     Collegial Exchange  ·  29
   26   27   28   29   30   31   32   33   34   35   36