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to provide them with modern child-growth and development practices (Tice, 1998).
                             The variety of settlement schools provided education access to Appalachian families
                             who had no other opportunities and provided a bridge between philanthropy and
                             local government to provide necessary services to families. Some settlement schools
                             helped Appalachian families to learn folk crafts they could sell to create a revenue
                             stream. These Appalachian folk crafts have played a role in culture and heritage
                             while  also  creating  markets  for  the  resulting  handwork  to  tourists  locally  and
                             collectors outside of the region. The work may be sold as art, folk art, or folk craft
        Dr. Denise Shockley,   depending on the buyer. The crafter evolved into being a design specialist in folk
        a member of Beta
        Alpha Chapter in Ohio   art who integrates artistic, technical, and vocational skills (Budkeey et al., 2016). As
        State Organization, is   the folk artists demonstrate traditional competencies, they also learn business and
        Superintendent of Gallia-  marketing practices to create professional quality artifacts that reflect their cultural
        Vinton Educational Service   practice. In addition to providing education and community support, the settlement
        Center in Rio Grande, Ohio.  schools thus fostered an industry and field of study.

        dshockley@              The cultural inclusion and economic development espoused through settlement
        galliavintonesc.org  schools and the folk-craft movement can be harnessed to improve education. Based
                             on  ideas  from  John  Dewey’s  laboratory  school,  a  guest  artist  with  specialized
                             knowledge assists in the integration of content. Young people learn folk craft as part
                             of their heritage or part of their formal education in school. Such training can bridge
                             the local and global, such as when students link knowledge and skills to learn science
                             and social studies by working with blacksmithing to connect school and community
                             (Morris, 2007). A knowledge of folklore and folk culture may infuse other subject
                             matter in school. Students can collect and analyze community folklore and folk craft
                             as classroom content (Laubach, 1979). Other subjects such as language arts, music,
                             or art may also intersect with folk crafts with a resulting increase in relevance and
                             engagement as students connect with their cultural heritage.
                                Ijaz and Ijaz (1981) explored how crafts, folk dance, music, and role play have
                             been used to explore cultural differences between groups of people. In their study,
                             student identification of an aesthetic problem led to a commitment or choice in their
                             interest-driven topic. The importance of the experience illustrated the commonalities
                             and differences between groups that live in proximity in the community.
                                These examples of folk crafts in the classroom align with what Lagender and
                             Stenøien  (2011)  identified  as  the  three  parts  of  student  agency  and  experience:
                             skills are developed to accomplish a task as judged by the community, significant
                             experiences align with the student’s path in life, and students explore an interaction
                             between meaningfulness and craftsmanship. Furthermore, creating folk crafts that are
                             valued by community exists in contrast to a mass marketing society that encourages
                             lack of commitment and individualism. Students learn about and perpetuate their
                             culture as they do the folk craft while allowing for cultural change as they connect
                             with the art form. Appalachian students have moved beyond the settlement schools
                             to access folk crafts in their education.
                                While an artistic tradition does exist in the region, a void exists that parallels
                             those  found  in  food  and  school  deserts.  Mulangu  and  Clark  (2012)  and  Wight
                             and Kilham (2014) found in measuring food access in rural Ohio that a dearth of
                             competition among supermarkets, combined with a plethora of fast-food options,
                             limited accessibility to a good food supply, resulting in a food desert. Although not
                             all attempts at establishing remediation for food deserts are successful, food deserts
                             are a spatial representation of social injustice (Engler-Stringer et al., 2019). Schafft
                             et al. (2009) found rural school-age children living in a food desert had an increased


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